{"id":24769,"date":"2020-09-04T14:41:58","date_gmt":"2020-09-04T12:41:58","guid":{"rendered":"http:\/\/pulskasvakodnevnica.com\/?p=24769"},"modified":"2020-09-04T14:41:58","modified_gmt":"2020-09-04T12:41:58","slug":"nagrade-67-pulskog-filmskog-festivala","status":"publish","type":"post","link":"http:\/\/pulskasvakodnevnica.com\/index.php\/2020\/09\/04\/nagrade-67-pulskog-filmskog-festivala\/","title":{"rendered":"NAGRADE 67. PULSKOG FILMSKOG FESTIVALA"},"content":{"rendered":"\n<p>HRVATSKI PROGRAM<\/p>\n\n\n\n<p>Hrvatski film<\/p>\n\n\n\n<p>Mare, red. Andrea \u0160taka, Tereza37, red. Danilo \u0160erbed\u017eija, Glas, red. Ognjen Svili\u010di\u0107, Mater, red. Jure Pavlovi\u0107, Ide\u0161? Idem!, red. Ljubo Zdjelarevi\u0107, Ribanje i ribarsko prigovaranje, red. Milan Trenc<\/p>\n\n\n\n<p>Manjinske hrvatske koprodukcije<\/p>\n\n\n\n<p>Pijavice, red. Dragan Marinkovi\u0107, Ne zaboravi disati, red. Martin Turk, Sin, red. Ines Tanovi\u0107, Korporacija, red. Matej Nahtigal, Grudi, red. Marija Perovi\u0107, Svi protiv svih, red. Andrej Ko\u0161ak, Ja sam Frenk, red. Metod Pevec, Agina ku\u0107a, red. Lendita Zeqiraj, Bosonogi car, red. Jessica Woodworth i Peter Brosens, Otac, red. Srdan Golubovi\u0107<\/p>\n\n\n\n<p>1. NAGRADA PUBLIKE ZLATNA VRATA PULE<\/p>\n\n\n\n<p>Publika je, glasovanjem za Hrvatski program prikazan u Areni dodijelila nagradu Zlatna vrata Pule filmu <strong>Otac<\/strong>, redatelja <strong>Srdana Golubovi\u0107a<\/strong>, s prosje\u010dnom ocjenom 5,0<\/p>\n\n\n\n<p>Otac&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp;&nbsp; 5,00<\/p>\n\n\n\n<p>Ribanje i ribarsko pregovaranje                      &#8211; 4,91 \u00a0<\/p>\n\n\n\n<p>Ide\u0161? Idem! &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp; 4,88<\/p>\n\n\n\n<p>Tereza37 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp; 4,76<\/p>\n\n\n\n<p>Mater &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp; 4,56<\/p>\n\n\n\n<p>Mare &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp; 3,88<\/p>\n\n\n\n<p>Glas &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp; 3,43<\/p>\n\n\n\n<p>2. NAGRADE OCJENJIVA\u010cKOG SUDA HRVATSKOG NATJECATELJSKOG PROGRAMA<\/p>\n\n\n\n<p>Ocjenjiva\u010dki sud:<\/p>\n\n\n\n<p>1. Lina Ke\u017ei\u0107 (predsjednica)<\/p>\n\n\n\n<p>2. Dana Budisavljevi\u0107<\/p>\n\n\n\n<p>3. Ksenija Marinkovi\u0107<\/p>\n\n\n\n<p>4. Vesna Mort<\/p>\n\n\n\n<p>5. Danko Vu\u010dinovi\u0107<\/p>\n\n\n\n<p>2.1. HRVATSKI PROGRAM \u2013 MANJINSKA HRVATSKA KOPRODUKCIJA<\/p>\n\n\n\n<p>&nbsp;1. <strong>Zlatna Arena za najbolji film<\/strong> dodjeljuje se filmu <strong>Agina ku\u0107a <\/strong>redateljice <strong>Lendite Zeqiraj.<\/strong><\/p>\n\n\n\n<p>\u201eFilm besprijekorne gluma\u010dke igre, pun topline, spontanosti i emotivnih obrata. Najnagra\u0111ivanija kosovska redateljica ostvarila je vrhunsko umjetni\u010dko djelo.\u201c<\/p>\n\n\n\n<p>2. <strong>Zlatna Arena za re\u017eiju<\/strong> dodjeljuje se <strong>Metodu Pevecu<\/strong> za film <strong>Ja sam Frenk.<\/strong><\/p>\n\n\n\n<p>\u201eSlovenski filmski redatelj, scenarist, glumac, knji\u017eevnik Metod Pevec&nbsp; re\u017eirao je dojmljiv film o sukobu idealizma pojedinca i surovosti posttranzicijskog vremena.\u201c<\/p>\n\n\n\n<p>3<strong>. Zlatna Arena za gluma\u010dko ostvarenje<\/strong> dodjeljuje se <strong>Goranu Bogdanu<\/strong> za ulogu Nikole u filmu <strong>Otac, <\/strong>redatelja <strong>Srdana Golubovi\u0107a.<\/strong><\/p>\n\n\n\n<p>\u201eSuptilno i emotivno, briljantno odigrana uloga oca koji se bori za svoju djecu.\u201c<\/p>\n\n\n\n<p>2.2. HRVATSKI PROGRAM \u2013 HRVATSKI FILM<\/p>\n\n\n\n<p>1<strong>. Nagrada Breza<\/strong> za najboljeg debitanta dodjeljuje se scenaristu i redatelju <strong>Juri Pavlovi\u0107u<\/strong> za film <strong>Mater.<\/strong><\/p>\n\n\n\n<p>\u201e Nakon velikog uspjeha kratkog filma Piknik, i ovim dugometra\u017enim prvijencem Jure Pavlovi\u0107 potvr\u0111uje autorsku hrabrost te scenaristi\u010dki i redateljski talent. Posebno je dojmljiv rad s glumcima, profesionalcima i amaterima.\u201c<\/p>\n\n\n\n<p>2. <strong>Zlatna Arena za oblikovanje zvuka<\/strong> dodjeljuje se <strong>Martinu Semen\u010di\u0107u<\/strong> za film <strong>Mater<\/strong>, redatelja <strong>Jure Pavlovi\u0107a.<\/strong><\/p>\n\n\n\n<p>\u201e Semen\u010di\u0107 je uspio ostvariti iznimno slo\u017eenu zvu\u010dnu sliku koja sjajno prati i upotpunjuje svijet oko glavnog lika.\u201c<\/p>\n\n\n\n<p>3. <strong>Zlatna Arena za masku<\/strong> dodjeljuje se <strong>Snje\u017eani Gorup<\/strong> za film <strong>Tereza37,<\/strong> redatelja <strong>Danila \u0160erbed\u017eije<\/strong>.<\/p>\n\n\n\n<p>\u201e Maska Snje\u017eane Gorup prati emotivna stanja glavnog lika te precizno ocrtava sve tipove i karaktere u tom filmu. \u201c<\/p>\n\n\n\n<p>4<strong>. Zlatna Arena za vizualne efekte <\/strong>u filmu dodjeljuje se <strong>Vedranu \u0160tefanu<\/strong> za film <strong>Ide\u0161? Idem!<\/strong>, redatelja <strong>Ljube Zdjelarevi\u0107a<\/strong>.<\/p>\n\n\n\n<p>\u201e Nagradu dobiva za ma\u0161tovitu upotrebu animacije, tipografije i vizualnih efekata u skladu s filmskom pri\u010dom.\u201c<\/p>\n\n\n\n<p>5. <strong>Zlatna Arena za specijalne efekte<\/strong> u filmu nije dodijeljena.<\/p>\n\n\n\n<p>6. <strong>Zlatna Arena za kostimografiju<\/strong> dodjeljuje se <strong>Sari Giancane i Valentini Vujovi\u0107<\/strong> za film <strong>Mare<\/strong>, redateljice <strong>Andree \u0160taka<\/strong>.<\/p>\n\n\n\n<p>\u201eNenametljivim minimalizmom kostimografska rje\u0161enja uskla\u0111ena su s likovima i vizualnim identitetom filma.\u201c<\/p>\n\n\n\n<p>7. <strong>Zlatna Arena za scenografiju<\/strong> dodjeljuje se <strong>Jani Ple\u0107a\u0161<\/strong> za film <strong>Mare<\/strong>, redateljice <strong>Andree \u0160taka<\/strong>.<\/p>\n\n\n\n<p>\u201e Za iznimno realisti\u010dnu i uvjerljivu scenografiju, prepunu detalja koji gotovo dokumentaristi\u010dki podr\u017eavaju karaktere i do\u010daravaju ambijent.\u201c<\/p>\n\n\n\n<p>8. <strong>Zlatna Arena za glazbu<\/strong> dodjeljuje se <strong>Igoru Paru<\/strong> za film <strong>Ribanje i ribarsko prigovaranje<\/strong>, redatelja <strong>Milana Trenca<\/strong>.<\/p>\n\n\n\n<p>\u201eObradom i izvedbom renesansnih skladbi, posebice zapisanih u Ribanju i ribarskom prigovaranju, uspijeva gledateljima pribli\u017eiti djelo i vrijeme u kojem je \u017eivio Petar Hektorovi\u0107.\u201c<\/p>\n\n\n\n<p>9. <strong>Zlatna Arena za monta\u017eu<\/strong> dodjeljuje se <strong>Dubravki Turi\u0107<\/strong> za film <strong>Tereza37<\/strong>, redatelja <strong>Danila \u0160erbed\u017eije<\/strong>.<\/p>\n\n\n\n<p>\u201e Za iznimnu kontrolu ritma i jasnu logiku tijeka pri\u010de.\u201c<\/p>\n\n\n\n<p>10. <strong>Zlatna Arena za kameru<\/strong> dodjeljuje se <strong>Jani Ple\u0107a\u0161<\/strong>, za film <strong>Mater<\/strong>, redatelja <strong>Jure Pavlovi\u0107a<\/strong>.<\/p>\n\n\n\n<p>\u201e Unutar zahtjevnog re\u017eijskog okvira Jana Ple\u0107a\u0161 uspjela je, uz portretiranje glavnog lika, do\u010darati slo\u017eene odnose i ambijent u filmu.\u201c<\/p>\n\n\n\n<p>11. <strong>Zlatna Arena za najbolju sporednu mu\u0161ku ulogu<\/strong> dodjeljuje se <strong>Leonu Lu\u010devu<\/strong>, za ulogu Paskoja u filmu <strong>Ribanje i ribarsko prigovaranje<\/strong>, redatelja <strong>Milana Trenca<\/strong>.<\/p>\n\n\n\n<p>\u201eLik Paskoja, ribara iz 16. stolje\u0107a, Leon Lu\u010dev u\u010dinio je \u017eivotnim, dana\u0161njim, nama bliskim.\u201c<\/p>\n\n\n\n<p>12. <strong>Zlatna Arena za najbolju glavnu mu\u0161ku ulogu<\/strong> dodjeljuje se <strong>Radi \u0160erbed\u017eiji<\/strong> za ulogu Petra Hektorovi\u0107a u filmu <strong>Ribanje i ribarsko prigovaranje<\/strong>, redatelja <strong>Milana Trenca<\/strong>.<\/p>\n\n\n\n<p>\u201eOtmjeno\u0161\u0107u i toplinom, gluma\u010dkom mudro\u0161\u0107u i \u0161armom do\u010darao je \u017eivot i djelo velikoga renesansnog knji\u017eevnika.\u201c<\/p>\n\n\n\n<p>13. <strong>Zlatna Arena za najbolju sporednu \u017eensku ulogu<\/strong> dodjeljuje se <strong>Ivani Ro\u0161\u010di\u0107<\/strong> za ulogu Renate u filmu <strong>Tereza37<\/strong>, redatelja <strong>Danila \u0160erbed\u017eije<\/strong> \u2013 jednoglasno.<\/p>\n\n\n\n<p>\u201ePrecizno i nadahnuto odigrala je lik mlade, samosvjesne i uspje\u0161ne \u017eene.\u201c<\/p>\n\n\n\n<p>14. <strong>Zlatna Arena za najbolju glavnu \u017eensku ulogu<\/strong> dodjeljuje se <strong>Dariji Lorenci \u2013 Flatz<\/strong> za ulogu Jasne u filmu <strong>Mater<\/strong>, redatelja <strong>Jure Pavlovi\u0107a<\/strong>.<\/p>\n\n\n\n<p>\u201eOstvarila je iznimno zahtjevnu uloga u kojoj svaki treptaj, svaki udisaj mora biti na mjestu. Kao pod pove\u0107alom. Maestralno odigrana uloga.\u201c<\/p>\n\n\n\n<p>Ocjenjiva\u010dki sud 67. Pulskog filmskog festivala posebno pohvaljuje iznimna umjetni\u010dka ostvarenja <strong>Marije \u0160kari\u010di\u0107<\/strong> u filmovima Mare, Tereza37 te manjinskoj koprodukciji Grudi, redateljice Marije Perovi\u0107.\u201c<\/p>\n\n\n\n<p>15. <strong>Zlatna Arena za scenarij<\/strong> dodjeljuje se <strong>Lani Bari\u0107<\/strong> za film <strong>Tereza37<\/strong> redatelja <strong>Danila \u0160erbed\u017eije<\/strong>.<\/p>\n\n\n\n<p>\u201eScenaristi\u010dki prvijenac glumice Lane Bari\u0107 donio je svje\u017e, duhovit pristup te\u0161koj temi. Uz osobnu dramu glavne junakinje inteligentno progovara i o aktualnim dru\u0161tvenim temama.\u201c<\/p>\n\n\n\n<p>16. <strong>Zlatna Arena za re\u017eiju<\/strong> dodjeljuje se <strong>Danilu \u0160erbed\u017eiji<\/strong> za film <strong>Tereza37<\/strong>.<\/p>\n\n\n\n<p>\u201eRedateljskim umije\u0107em \u0160erbed\u017eija je ostvario nenametljivo i zrelo re\u017eiran film u kojem se osje\u0107a empati\u010dnost i svijest o va\u017enosti bavljenja dosad zanemarivanim temama.\u201d<\/p>\n\n\n\n<p>17<strong>. Velika Zlatna Arena za najbolji film<\/strong> dodjeljuje se filmu <strong>Tereza37<\/strong>, redatelja <strong>Danila \u0160erbed\u017eije<\/strong>, <strong>produkcijske ku\u0107e Focus Media<\/strong>, producentice <strong>Irene Markovi\u0107<\/strong>.<\/p>\n\n\n\n<p>\u201eVelika \u017eenska pri\u010da sa sjajnim gluma\u010dkim ostvarenjima, Tereza37 je i pri\u010da o suvremenom Splitu. Iska\u010de iz kanona te\u0161ke socijalne drame, izmi\u010de \u017eenu iz pozicije \u017ertve i gleda je kao kompleksno ljudsko bi\u0107e. U godini u kojoj su dominirale velike \u017eenske teme i uloge, Tereza37 ukupno je ostavila najcjelovitiji dojam u svim segmentima filmskog stvarala\u0161tva.\u201c<\/p>\n\n\n\n<p>ZAGREBA\u010cKA BANKA dodjeljuje <strong>Danilu \u0160erbed\u017eiji <\/strong>redatelju filma <strong>Tereza37 <\/strong>nagradu u iznosu od 30.000,00 kuna.<\/p>\n\n\n\n<p>Zahvaljujemo svima koji su potpomogli organizaciju i realizaciju 67. Pulskog filmskog festivala.<\/p>\n\n\n\n<p>Ministarstvo kulture Republike Hrvatske, Grad Pula, Istarska \u017eupanija, Turisti\u010dka zajednica grada Pule, Zagreba\u010dka banka te sponzor Festivala \u2013 Hrvatski Telekom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>HRVATSKI PROGRAM Hrvatski film Mare, red. Andrea \u0160taka, Tereza37, red. Danilo \u0160erbed\u017eija, Glas, red. Ognjen Svili\u010di\u0107, Mater, red. Jure Pavlovi\u0107,<\/p>\n","protected":false},"author":1,"featured_media":24770,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[100,1,99],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NAGRADE 67. PULSKOG FILMSKOG FESTIVALA - Pulska Svakodnevnica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/pulskasvakodnevnica.com\/index.php\/2020\/09\/04\/nagrade-67-pulskog-filmskog-festivala\/\" \/>\n<meta property=\"og:locale\" content=\"hr_HR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NAGRADE 67. 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